Baphian music: Difference between revisions
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=== Contemporary traditional music === | === Contemporary traditional music === | ||
Revivalist traditional music, or revivalist music can be split into two subgenres, experimental and true traditional. Experimental revivalist music expands on what traditional music can sound like by adding new instruments and synthesizers into what the quartet or even sometimes just synthesizers can play. Usually, they stick with a quartet of instruments, but there is experimental revivalist music that adds or takes away instruments. Experimental revivalist music can further be subdivided into more genres depending on several factors including how much they respect traditional Baphian music style. | Revivalist traditional music, or revivalist music can be split into two subgenres, experimental and true traditional. | ||
Experimental revivalist music expands on what traditional music can sound like by adding new instruments and synthesizers into what the quartet or even sometimes just synthesizers can play. Usually, they stick with a quartet of instruments, but there is experimental revivalist music that adds or takes away instruments. Experimental revivalist music can further be subdivided into more genres depending on several factors including how much they respect traditional Baphian music style. One notable experimental revivalist is [[Izengzu (musician)|Izengzu]], known across the globe for her avant-garde takes on traditional Baphian music. | |||
True traditional revivalist music is much more like earlier records of traditional Baphian music with most factors being respected such as the quartet and tempo, but specifically tempo is more experimented with in true traditional revivalist pieces. There are some pieces that go as high as 200 BPM and low as a single beat per minute. | True traditional revivalist music is much more like earlier records of traditional Baphian music with most factors being respected such as the quartet and tempo, but specifically tempo is more experimented with in true traditional revivalist pieces. There are some pieces that go as high as 200 BPM and low as a single beat per minute. | ||