Baphian theatre: Difference between revisions
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== Gëlum == | == Gëlum == | ||
Gëlum is by far the most common theatre style. It is usually done outdoors with a minimal number of props, usually only used for major story items. The actors usually are very costumed and play archetypical roles that were already fairly common in both [[Baphian literature|literature]] and [[Baphian opera|opera]]. Gëlum is usually fictional, but there have been nonfictional reenactments of historical events in the style of Gëlum, one such play being | Gëlum is by far the most common theatre style. It is usually done outdoors with a minimal number of props, usually only used for major story items. The actors usually are very costumed and play archetypical roles that were already fairly common in both [[Baphian literature|literature]] and [[Baphian opera|opera]]. Gëlum is usually fictional, but there have been nonfictional reenactments of historical events in the style of Gëlum, one such play being Utopia, which in turn is based of off a game based off of the events that occurred during the [[1st Bapho-Azkali war]] and [[1980 Azkali Plague|plague]]. | ||
Revision as of 17:37, 5 April 2024
Baphian theatre could refer to at least 3 styles of plays and dramas, Gëlum (pronounciation: [gəɹum]), Gabük (pronounciation: [gabʊk]), and Hyalman (pronounciation: []).
Gëlum
Gëlum is by far the most common theatre style. It is usually done outdoors with a minimal number of props, usually only used for major story items. The actors usually are very costumed and play archetypical roles that were already fairly common in both literature and opera. Gëlum is usually fictional, but there have been nonfictional reenactments of historical events in the style of Gëlum, one such play being Utopia, which in turn is based of off a game based off of the events that occurred during the 1st Bapho-Azkali war and plague.