Kzmr music: Difference between revisions

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=== Liturgical music ===
=== Liturgical music ===
The liturgical music of Kzmr is primarily comprised of [[Nrþk'irdu|Nrþk'irduist]] choral repertoire, though there are other forms such as [[Shidamism|Shidamist]] vocal music of the religion's minority in [[Srn]], or the canticular forms of the spoken formulas in Kzmr geomancy. However, Nrþk'irduist music has historically had a significant influence in Kzmr, as [[Kzmr musical notation]] (''hhprk 'rdþsu'', lit. "singing letters") was created by a Nrþk'irduist priest known as [[Phmitrþs]], and has various traits designed with this style of music in mind.
The liturgical music of Kzmr is primarily comprised of [[Nrþk'irdu|Nrþk'irduist]] choral repertoire, though there are other forms such as [[Shidamism|Shidamist]] vocal music of the religion's minority in [[Srn]], or the canticular forms of the spoken formulas in Kzmr geomancy. However, Nrþk'irduist music has historically had a significant influence in Kzmr, as [[Kzmr musical notation]] (''hhprk 'rdþsu'', lit. "singing letters") was created by a Nrþk'irduist priest known as [[Phmihgþs]], and has various traits designed with this style of music in mind.


Nrþk'irduist vocal music is heavily based upon [[w:Canon (music)|canon]] and [[w:Heterophony|heterophony]]. It also has a [[w:Polytonality|polytonal]] tendency, with canons at imperfect intervals being very common and many works having no two voices singing in the same scale. To reconcile these two basic facts, there are several methods of scalar mapping typically used in this genre of music, which are as follows:
Nrþk'irduist vocal music is heavily based upon [[w:Canon (music)|canon]] and [[w:Heterophony|heterophony]]. It also has a [[w:Polytonality|polytonal]] tendency, with canons at imperfect intervals being very common and many works having no two voices singing in the same scale. To reconcile these two basic facts, there are several methods of scalar mapping typically used in this genre of music, which are as follows: